{"id":7824,"date":"2026-10-10T12:30:00","date_gmt":"2026-10-10T10:30:00","guid":{"rendered":"https:\/\/teatroregioparma.it\/?post_type=show&#038;p=7824"},"modified":"2026-10-09T16:45:47","modified_gmt":"2026-10-09T14:45:47","slug":"aroldo","status":"publish","type":"show","link":"https:\/\/teatroregioparma.it\/en\/show\/aroldo\/","title":{"rendered":"AROLDO"},"content":{"rendered":"\t<div class=\"show-header alignfull festival-verdi-header has-blue-background-color with-image\" >\r\n\t\t<div class=\"is-layout-constrained\">\r\n\t\t\t<div class=\"wp-block-columns alignwide flex space\">\r\n\t\t\t\t\t\t\t\t\t<div class=\"wp-block-column show-header-image\">\r\n\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/teatroregioparma.it\/wp-content\/uploads\/2026\/10\/TRP-27-BANNER-ALPHA-FESTIVAL-VERDI-27-1080x1080-1.png\">\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t<div class=\"wp-block-column show-header-info\">\r\n\t\t\t\t\t<div class=\"text-content flex column\">\r\n\t\t\t\t\t\t<div class=\"breadcrumbs\">\r\n\t\t\t\t\t\t\tShows | <a class=\"parent-category\" href=\"https:\/\/teatroregioparma.it\/en\/show-category\/festival-verdi\/\">Festival Verdi<\/a> | <span class=\"child-category\">Edition 2027<\/span>\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<h1 class=\"ss01\">AROLDO<\/h1>\r\n\t\t\t\t\t\t<div class=\"subtitle\"><p>Giuseppe Verdi<\/p>\n<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<ul class=\"dates has-h-4-font-size\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"date\">16<br>Oct<br>2026<\/li>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"date\">1<br>Oct<br>2027<\/li>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"date\">9<br>Oct<br>2027<\/li>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/ul>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\n\n\t<div class=\"anchor-menu horizontal-type alignfull is-layout-constrained\">\r\n\t\t<div class=\"alignwide\">\r\n\t\t\t<div class=\"anchors\">\r\n\t\t\t\t\t\t\t\t\t<a href=\"#about\" title=\"Go to  about\">about<\/a>\r\n\t\t\t\t\t\t\t\t\t<a href=\"#discover-opera\" title=\"Go to  DISCOVER OPERA\">DISCOVER OPERA<\/a>\r\n\t\t\t\t\t\t\t\t\t<a href=\"#information\" title=\"Go to  Information\">Information<\/a>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\n\n\n<h2 id=\"about\" class=\"wp-block-heading alignwide\">about<\/h2>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-36a86d9e wp-block-columns-is-layout-flex\" style=\"margin-bottom:var(--wp--preset--spacing--80)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p class=\"wp-block-paragraph\">Music <strong>Giuseppe Verdi<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">direttore <strong>Roberto Abbado<\/strong><br>regia <strong>Daniele Menghini<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILARMONICA ARTURO TOSCANINI<\/strong><br><strong>CORO DEL TEATRO REGIO DI PARMA<\/strong><br>Maestro del coro <strong>Martino Faggiani<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:17%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\t<div class=\"show-dates-wrapper\"><div class=\"show-venue flex gap-12 margin-bottom-32\"><span class=\"icon-place\"><\/span><a href=\"https:\/\/maps.app.goo.gl\/aeFpffWZMgcJSB9AA\" target=\"_blank\" title=\"Teatro Regio di Parma\">Teatro Regio di Parma<\/a><\/div>\t\t\t\t<div class=\"show-dates has-light-gray-background-color\">\r\n\t\t\t\t\t\t\t<div class=\"show-date flex space \">\r\n\t\t\t\t\t<div><span class=\"icon-calendar\"><\/span>Fri 16 Oct<\/div>\r\n\t\t\t\t\t<div><span class=\"icon-time\"><\/span>20:00<\/div>\r\n\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<div class=\"show-date flex space \">\r\n\t\t\t\t\t<div><span class=\"icon-calendar\"><\/span>Fri 1 Oct<\/div>\r\n\t\t\t\t\t<div><span class=\"icon-time\"><\/span>20:00<\/div>\r\n\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<div class=\"show-date flex space \">\r\n\t\t\t\t\t<div><span class=\"icon-calendar\"><\/span>Sat 9 Oct<\/div>\r\n\t\t\t\t\t<div><span class=\"icon-time\"><\/span>20:00<\/div>\r\n\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\n\n\n<p class=\"has-h-5-font-size wp-block-paragraph\" style=\"margin-bottom:var(--wp--preset--spacing--6)\">Ticket a partire da 10 euro<\/p>\n\n\n\n<div class=\"wp-block-buttons is-vertical is-content-justification-stretch is-layout-flex wp-container-core-buttons-is-layout-b0a8f334 wp-block-buttons-is-layout-flex\" style=\"margin-top:0\">\n<div class=\"wp-block-button is-style-secondary is-style-secondary--1\"><a class=\"wp-block-button__link wp-element-button\">benefits and discounts<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h2 id=\"discover-opera\" class=\"wp-block-heading alignwide\">DISCOVER OPERA <\/h2>\n\n\n\n<p class=\"alignwide wp-block-paragraph\">Un\u2019ambientazione durante la quarta Crociata, un atto completamente nuovo e un cambiamento di stato sociale dei personaggi: <em>Aroldo<\/em> non \u00e8 semplicemente il rifacimento di <em>Stiffelio<\/em>, ma \u00e8 un\u2019opera decisamente diversa anche a dispetto della non poca musica che Verdi ha riversato dall\u2019opera da cui deriva. Del resto, nonostante a causa delle torture e delle trasfigurazioni a cui era stata sottoposto dalle censure di tutta Italia Verdi avesse deciso di ritirarne lo spartito decretando la fine dei noli ai teatri per le sue rappresentazioni, era un peccato secondo lui rinunciare alla musica di <em>Stiffelio<\/em>, che teneva in gran conto: superati gli impegni per <em>Le trouv\u00e8re<\/em> e <em>Simon Boccanegra<\/em>, Verdi si dedic\u00f2 allora a rimaneggiare <em>Stiffelio<\/em>, trovando il fido Francesco Maria Piave disposto a trovare una soluzione per preparare un libretto che ricalcasse il pi\u00f9 possibile la vicenda di <em>Stiffelio<\/em> senza rischiare il collo con la censura. Riprendendo il romanzo <em>Harold, the Last of the Saxon Kings<\/em> di un autore a lui caro, Edward Bulwer-Lytton, Piave lavor\u00f2 di intarsio al meglio possibile: ma la perdita del protagonista pastore protestante (Aroldo \u00e8 un laico), la vanificazione del suo dissidio interiore e l\u2019improbabile concessione di un divorzio in et\u00e0 medievale ne fiaccano decisamente la credibilit\u00e0 e lo riportano nella dimensione dei melodrammi d\u2019altri tempi. In compenso la mano verdiana che sistema la partitura \u00e8 molto pi\u00f9 matura di quella di sette anni prima e, fra sviluppi, cambiamenti e aggiunte, fa di <em>Aroldo<\/em> un passaggio fra i pi\u00f9 densi e raffinati del Verdi di mezzo. Specialmente il romanzesco atto finale, a cui \u00e8 demandato il compito di sostituire quello stiffeliano con la citazione del Vangelo, si nutre di orchestrazioni raffinate, di una musica della tempesta che parve fin allora memorabile, di una scena del perdono che supera di gran lunga molte dei concertati scritti fino ad allora. Comunque non serv\u00ec a molto: dopo il debutto il 16 agosto 1857 a Rimini la sua sopravvivenza nei teatri \u00e8 stata breve, ed \u00e8 riapparsa solo nel 1953, e in seguito rarissime volte, diventando cos\u00ec senz\u2019altro la pi\u00f9 misconosciuta fra le opere di Verdi.<br><strong>Giuseppe Martini<\/strong><\/p>\n\n\n\n<h2 id=\"information\" class=\"wp-block-heading alignwide\">Information<\/h2>\n\n\n\t<div class=\"tabs-wrapper alignwide\">\r\n\t\t<div class=\"tabs-menu\">\r\n\t\t\t\t\t\t\t<a class=\"current\" href=\"#getting-here\">Getting here<\/a>\r\n\t\t\t\t\t\t\t<a class=\"\" href=\"#accessibility\">Accessibility<\/a>\r\n\t\t\t\t\t<\/div>\r\n\t\t<div class=\"tabs\">\r\n\t\t\t\n\t<div class=\"tab alignwide\" title=\"Getting here\" id=\"getting-here\">\r\n\t\t\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9b72719b wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Fondazione Teatro Regio di Parma<\/strong><br>strada Garibaldi, 16\/a<br>43121 Parma \u2013 Italia<br>Tel (+39) 0521 203911<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Public transport<\/strong><br>Bus lanes 1, 2, 15<br>Via Mazzini: bus lanes 3, 4, 5, 8<br>Piazza Ghiaia: bus lanes 6, 7, 8, 9, 11, 12, 13, 21, 23<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Parking<\/strong><br>Parcheggio Piazza Ghiaia<br>Parcheggio Toschi<\/p>\n<\/div>\n<\/div>\n\n\t<\/div>\r\n\t\n\n\t<div class=\"tab alignwide\" title=\"Accessibility\" id=\"accessibility\">\r\n\t\t\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9b72719b wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">The Teatro Regio in Parma is fully accessible. From the entrance, a straight, level path leads directly to the stalls, where four seats are reserved for wheelchair users. A seat is reserved for a companion in the row adjacent to each seat designated for disabled spectators. The companion must remain present throughout the entire visit to the theatre if the spectator is unable to move independently.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Spectators with temporary mobility impairments who hold a ticket or season ticket of any category (stalls, box, gallery) must notify the Box Office in good time; the Box Office reserves the right to change seat allocations where necessary in accordance with safety regulations. The Theatre also reserves the right to alter the number of available seats for technical or staging requirements.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Please also note that the layout of the emergency exits does not allow spectators entering the theatre in a wheelchair to sit down independently in a seat; therefore, to ensure they can leave the building as quickly as possible, such spectators are required to remain seated in their wheelchair for the entire duration of the performance. Similarly, spectators using mobility aids must take their seats in the reserved areas, which allow the aid to be stored nearby for rapid use in the event of an emergency. To use these seats, a prior request must be made by email to the Box Office (biglietteria@teatroregioparma.it), which will process the request and respond by allocating the most suitable seat in accordance with safety regulations and subject to availability. A standard ticket purchased by means other than those indicated above does not guarantee access to the Theatre for people using wheelchairs or mobility aids.<\/p>\n<\/div>\n<\/div>\n\n\t<\/div>\r\n\t\n\t\t<\/div>\r\n\t<\/div>\r\n\t\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"featured_media":7987,"template":"","meta":{"trigger":"","delay_number":"","delay_interval":"","delay_active":"","action":"","action_type":"","footnotes":""},"show-category":[107,60],"show-tipology":[86],"show-target":[],"show-age":[],"class_list":["post-7824","show","type-show","status-publish","has-post-thumbnail","hentry","show-category-edition-2027-festival-verdi","show-category-festival-verdi","show-tipology-opera"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>AROLDO - Teatro Regio di Parma<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/teatroregioparma.it\/en\/show\/aroldo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AROLDO - 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